Kinogamma Part I: East and Kinogamma Part II: far East together form a cinematically intense experience, since the two films are not to be viewed, they are to be felt.
Written as a musical score in two movements, Kinogamma escapes and wanders. From a slow movement on a bluish arpeggio it slides into a staccato rhythm to an orange-tinged trance. A melody emerges and the camera lovingly films the poem, caressing the faces of strangers.