Ahmet decides to help his friend Selim sell a rare 13th century Koran owned by his family. He puts Selim into contact with the local mafia, who promptly kidnap him and request the Koran as ransom from Selim's father, Veli Hoca. Hoca pays the ransom but when the dust from the shady affair has settled both Selim and the gangsters lie dead. Now Ahmet would like to make amends for his involvement in the crime. He tries to track down Selim's family but learns that Mr. Hoca is dead. Ahmet is racked by remorse but he can't find a way of exorcising his ghosts. He tries Selim's uncle, Humdallah...
Dot is the story of a man tormented by a crime he once committed, who now seeks to redeem himself. The action, which advances along an axis of crime and punishment, organically incorporates one of Turkey’s traditional art forms, calligraphy, into the story. One of the most striking ways in which calligraphy marks both language and content is the film’s structure as a single, fluid shot.
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